Ten years after her aunt was murdered in their London home, a woman returns from Italy in the 1880s to resume residence with her new husband. His obsessive interest in the home rises from a secret that may require driving his wife insane.

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A lesbian couple with a rocky relationship goes to a pre-wedding retreat and ends up fighting for their lives when a group of militant serial killers tries to murder them.

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A thirty-something is still living with his parents until they hire an interventionist to help him graduate out of the house. That’s when the fun begins.

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A small team of scientists must race against time to stop what seems to be a cascade of global disasters signaling the possible apocalypse and end of days.

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A father and son, who have been living off grid for 20 years, encounter an outsider who threatens to destroy the utopia they’ve built.

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A fracking horror story, “Unearth” follows two neighboring farm families whose relationships are strained when one of them chooses to lease their land to an oil and gas company. In the midst of growing tension, the land is drilled, and something long dormant and terrifying, deep beneath the earth’s surface is released. “Unearth” is about the horrifying repercussions sown by shortsighted decisions, and what our children reap from our actions.

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A faithful Jehovah’s Witness is forced to shun her own sister because of a religious transgression. As the separation draws out, she starts to question the meaning of God’s love.

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A warrior travels wild expanses on horseback, pursuing the monster that murdered his daughter. His thirst for revenge is the driving force of a film constructed with very few elements, minimalistic and epic at the same time, where fantasy and horror find their more physical and gory incarnations (synopsis in the 2018 Sitges Filmfestival programme catalogue).

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In his feature film directorial debut, comedian Bo Burnham deftly encapsulates the awkwardness, angst, self-loathing and reinvention that a teenage girl goes through on the cusp of high school. Given that the 27-year-old stand-up comic achieved fame as a teenager himself through YouTube by riffing on his insecurities, he is uniquely capable as the film’s writer and director to tell the story of Kayla, an anxious girl navigating the final days of her eighth grade year, despite creating a protagonist w female instead of male. Like Burnham did more than a decade ago, 13-year-old Kayla turns to YouTube to express herself, where she makes advice blogs in which she pretends to have it all together. In reality, Kayla is sullen and silent around her single father and her peers at school, carrying out most of her interactions with her classmates on Instagram and Twitter. Her YouTube videos are a clever narrative tool that provide insight into her inner hopes and dreams, much like an inspirational online diary. One of Eighth Grade’s biggest triumphs is in its realism.

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After stealing millions in cash from sadistic mob boss Temple’s drug-dealing hideout, a thief finds a stowaway in his getaway car: Temple’s pregnant wife, Mia. Desperate to reclaim his cash, and his unborn son, Temple sends out a squad of hit men and bounty hunters to bring in Mia and the thief. Speed, cleverness, and good aim give the duo a brief advantage, but how long will their luck hold out?

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A young girl named Asha wishes on a star and gets a more direct answer than she bargained for when a trouble-making star comes down from the sky to join her.

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Landing in the paradise of Thailand, cross cutting back to the main characters past life in New York, Erik ( Johan Matton) a young writer dependent on the love of his life Joanna (Linnea Larsdotter), argue and split up in the unfamiliar country of Thailand. We follow them on their separate journeys as Joanna meets up with her childhood friend David and Erik cross path with three backpackers Jamie, Cecile and Miranda. The journey takes unexpected consequences when temporary attraction, anxiety, loneliness and unfamiliar grounds forces Joanna and Erik to learn who they really are. Throughout their journey in Thailand we sporadically flashback into the beginning of Erik and Joanna’s life in New York to learn who they are – each time we reveal a moment further back in time leading up to the first time they met.

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