A woman with a seemingly perfect life – a great marriage, overachieving kids, beautiful home, stunning looks and still holding down a career. However she’s over-worked, over committed and exhausted to the point that she’s about to snap. Fed up, she joins forces with two other over-stressed moms and all go on a quest to liberate themselves from conventional responsibilities, going on a wild un-mom like binge of freedom, fun and self-indulgence – putting them on a collision course with PTA Queen Bee Gwendolyn and her clique of devoted perfect moms.

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Fed up with her parents’ bickering, poor-little-rich-girl Maya (Dylan Penn) moves in with her boyfriend who is squatting in an old, condemned building on Manhattan’s Lower East Side. With neighbors that are meth heads, junkies and degenerates, this depraved hell hole is even more toxic than it appears: After a virus born from their combined noxious waste and garbage infects the building’s residents, one by one, they succumb to a terrifying pathogen that turns them into bloodthirsty, rampaging killers and transforms their building into a savage slaughterhouse.

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When a plane crash claims the lives of members of the Marshall University football team and some of its fans, the team’s new coach and his surviving players try to keep the football program alive.

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Amid chaos, ex-Green Beret joins prepper compound; love grows, truths arise, and a community unites.

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At 17, high-school junior Shirley Lyner is thinking about college and running a babysitting service that provides teen call girls to the dads of young children. It starts with Michael, the father of children she baby-sits. A cup of coffee on the way home from his house, a night visit to a train yard, and one thing leads to another. Shirley can be ruthless, and tension builds when some of the clients take the girls to a mountain cabin and bring drugs. Then, one of the girls tries to freelance. Can this end well: is it a tragedy in the making? Do we all have secrets?

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Outside a mountain town grappling with a series of abductions and murders, Paul (Antonio Banderas), a reclusive writer, struggles to start what he hopes will be a career-saving screenplay. After a tense encounter at a diner with a drifter named Jack (Jonathan Rhys Meyers), Paul offers Jack a place to stay-and soon the edgy, demanding Jack muscles his way into Paul’s work. As a storm cuts off power to the isolated cabin, the two men begin a jagged game of one-upmanship that will bring at least one tale to an end.

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A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.

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This movie documents the Apollo missions perhaps the most definitively of any movie under two hours. Al Reinert watched all the footage shot during the missions–over 6,000,000 feet of it, and picked out the best. Instead of being a newsy, fact-filled documentary, Reinart focuses on the human aspects of the space flights. The only voices heard in the film are the voices of the astronauts and mission control. Reinart uses the astronaunts’ own words from interviews and mission footage. The score by Brian Eno underscores the strangeness, wonder, and beauty of the astronauts’ experiences which they were privileged to have for a first time “for all mankind.”

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Mexican teenagers Aristotle Mendoza and Dante Quintana explore their friendship while struggling with racial and ethnic identity, sexuality and family relationships in 1987 El Paso, Texas.

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The Griswolds win a vacation to Europe on a game show, and thus pack their bags for the continent. They do their best to catch the flavor of Europe, but they just don’t know how to be be good tourists. Besides, they have trouble taking holidays in countries where they CAN speak the language…

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The film continues the story of teenage Billy Batson who, upon reciting the magic word “SHAZAM!” is transformed into his adult Super Hero alter ego, Shazam.

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Claes Bang (THE SQUARE) stars as Joseph Piller in this captivating dramatic thriller set just after WWII – an all but forgotten true story – about a soldier investigating renowned Dutch artist Han van Meegeren, played by Guy Pearce (LA CONFIDENTIAL), who is accused of conspiring with the Nazis. Despite mounting evidence, Piller becomes increasingly convinced of Han’s innocence and finds himself in the unlikely position of fighting to save the life of the colorful man with a mysterious past. The film also features Vicky Krieps

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