Australian Motorcycle News has been the fortnightly bible for all things motorcycling for well over 60 years. It’s the latest news, the most comprehensive bike tests, the most in-depth racing coverage from club level through to world championship level and it’s written by people who love, live and breathe motorcycling. Whether it’s content, photography, industry access or outright respect, no other motorcycle title comes close.
American Fine Art Magazine is the first publication to offer complete and comprehensive coverage of the upcoming shows, auctions and events of this market so deeply tied to American history, society and culture.
The stories of a group of Londoners during the German bombing campaign of the British capital during World War II.
“A loving but socially awkward long term couple wants to spice up their sex life by having a threesome. Now they must battle insecurities, social taboos and the dreaded internet to find…The Third Person!”
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When ex-soldier turned mercenary, John Gold, learns of the murder of his best friend, he sets off on a mission to find out what happened. What he discovers is a sinister conspiracy and he sets about taking down those responsible one by one.
A photographer experiencing an artistic decline begins taking his aggressions out on his artist girlfriend. When she cryptically disappears, he enters his subconscious, descending down a spiral of mystery and madness on his search for her, as well as himself.
Soul Sessions explores the timeless nature of love. The film follows two soul mates who serendipitously cross paths across many lifetimes, until one decision tears them apart and may alter their destiny forever.
Vitalina Varela takes its title from the name of its lead actress, a Cape Verdean woman who, as per usual with Costa’s non-professional actors, plays a fictionalized version of herself. Vitalina first appeared in an episode in the director’s previous film, Horse Money (Wavelengths 2015), wherein she recounted how her husband had left their homeland nearly 25 years ago to work in Lisbon – a separation that became permanent when she finally arrived on the continent, three days after his funeral. In Vitalina Varela, Costa refracts and expands that episode to place us firmly within his heroine’s stoic point of view, capturing her extraordinary strength and resilience as she navigates the scanty physical traces her husband left behind, discovers his secret, illicit life, and encounters the other lives that darken the shadows of the Fontainhas that once was.
