Maya (Tara Basro) with her best friend, Dini (Marissa Anita), tries to survive in a city without a family. She realized that she might inherit a property from her rich family. Maya returns to the village with Dini, unaware of the danger that is waiting for her.
Robbie Knievel, 52 and the owner of 20 world records and 350 jumps worldwide, life is uncovered through his personal pursuit of sobriety and the need of continuing his father’s legacy by jumping once again.
Sybil works at an undertaker’s. It’s a lonely job, with few perks. So she takes solace where she can.
After losing her parents, aspiring painter Leah struggles to cope. When her brother moves away, he asks his best friend Axel to look after her, unaware of her longtime feelings for him.
Pro basketball player Giannis Antetokounmpo narrates his journey reconciling himself with his roots between cross-cultural worlds.
Expanding her (White Riot: London (2017)) short documentary film, Rubika Shah‘s energizing film charts a vital London protest movement. Rock Against Racism (RAR) was formed in 1976, prompted by ‘music’s biggest colonialist’ Eric Clapton and his support of racist MP Enoch Powell. White Riot (2019) blends fresh interviews with queasy archive footage to recreate a hostile environment of anti-immigrant hysteria and National Front marches. As neo-Nazis recruited the nation’s youth, RAR’s multicultural punk and reggae gigs provided rallying points for resistance. As founder Red Saunders explains: ‘We peeled away the Union Jack to reveal the swastika’. The campaign grew from Hoxton fanzine roots to 1978’s huge antifascist carnival in Victoria Park, featuring X-Ray Spex, Steel Pulse and of course The Clash, whose rock star charisma and gale-force conviction took RAR’s message to the masses.
