Isolated in an empty house, Ian remains in grief over the loss of a woman he loved who died two decades ago. The memory clamoring to be released, and his daily existence turning ever darker, Ian will have to find a way to let her go.
Oct
01
Based on true events. On their 30th birthday twin sisters, one married with children, one single, secretly swap places. One of them is murdered. The survivor keeps up the masquerade, by living with her sister’s family while searching for “her” murderer, She fears she and her sister’s family will become the killer’s new targets if the truth comes out. Then the killer discovers his mistake.
Oct
01
A young woman in a decaying apartment complex finds herself seeing worms and moths everywhere, bursting out of beetles, animals, and people, and sets out to find how this is related to a rash of murders across the city.
Oct
01
When a paranormal social media influencer winds up dead, a USFS ranger must pull himself out of mourning to grapple with the reality of the fact that Bigfoot might actually exist, and be responsible for a string of unusual deaths in his small town.
Oct
01
The Mimic is centred around Martin Hurdle (Terry Mynott – ‘Very Important People’), a seemingly unremarkable maintenance man who in fact conceals an exceptional talent… an uncanny ability to mimic voices. Labouring without prospect at a large pharmaceutical company, Martin’s options appear bleak. His one true friend in life is a girl called Jean (Jo Hartley – ‘This Is England’) who, despite having the best intentions for Martin, is also his live-in landlord. The only other ‘friend’ Martin can really boast of is Neil (Neil Maskell – ‘Utopia’), a newsagent petrified by the news. Now, in a huge revelation by a former lover, Martin is about to discover that he could be the father of an eighteen-year-old son called Steven (Jacob Anderson – ‘Adulthood’). With their first meeting on the horizon, is this the news that will finally prompt Martin to escape his prolonged adolescence? And if it is, just how will he use his voices to cope with this life-changing development?
Oct
01
Visually splendid in dank, grey tones, Asylum is an explosion of repressed sexuality that is frightening in its force and surprising in its ending. This is an intense film with a lot of emotions. We get to see love, hate, jealousy and regret all in one movie.
Asylum is the story of the bored and unfulfilled wife of a psychiatrist working at a remote mental asylum, who starts a passionate but dangerous affair with one of the patients, a jealous psychopath. At first Stella is beguiled by the new world of passion and unchartered lust Edgar introduces her to and the pair manage to keep their affair secret from the mental asylum officials until Edgar can take it no more and breaks out of the asylum. Stella attempts to continue life without her lover, playing mother to her son, Charlie and wife to her husband, Max.
Oct
01
A man searches for his missing wife after his car breaks down in the middle of the desert.
Oct
01
Jack (Academy Award winner Philip Seymour Hoffman, making his directorial debut) and Connie (Amy Ryan) are two single people who on their own might continue to recede into the anonymous background of New York City, but in each other begin to find the courage and desire to pursue a budding relationship. As Jack and Connie cautiously circle commitment, the couple that introduced them, Clyde (John Ortiz) and Lucy (Daphne Rubin-Vega), confront their own unresolved issues, and each couple comes face to face with the inevitable path of their relationship. Based on the acclaimed Off-Broadway play of the same name, this unconventional romantic comedy is a tale of love, betrayal, friendship and grace.
Oct
01
Based on the true story of the uprising that inspired the legend of Robin Hood, Andrew Garfield stars as the leader of a rebellion against the tyranny of King Richard II in a fight for justice.
Oct
01
When Kate joins her boyfriend’s friends at a remote countryside retreat, strange lights appear in the sky. As tensions rise, something unseen begins turning the group into eerily “nice” versions of themselves, hiding a darker truth.
At a Renaissance Festival, costumed performers find love and self-discovery amid uncomfortable period garments. In this world of make-believe, they reveal their authentic selves and forge true connections.
