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Benny works for old school crime boss Abe, Abe has multiple personalities and is in a gang war with the notorious Frankie. Kane is the deadliest of Abe’s personalities, the next 24 hours will be a killer. Today is a good day to die.
Mi-Young runs a shop at a traditional market, where she makes and sells twisted bread sticks. Her husband Seok-Hwan works as a computer repairman. One day, Seok-Hwan wins a free trip to Hawaii. Mi-Young and Seok-Hwan will go on their first international trip together. When Mi-Young and Seok-Hwan get on the airplane to Hawaii, things don’t go as expected. Terrorists, including Cheol-Seung who chase after a secret agent, get on the same airplane. The passengers soon become hostages. Suddenly, Mi-Young and Seok-Hwan begin to rescue the passengers.
The 171-minute director’s cut restores nearly 24 minutes of additional scenes that were not included in the original cut. This version adds more graphic violence and extends many preexisting scenes. The biggest chunk of new footage added, as director Ari Aster acknowledges, is the subplot of Christian researching for his anthropology thesis.
Veteran smokejumper Jack Elliot fells trees on a steep mountain slope high in the Montana wilderness. He’s one of a five-man crew harvesting beetle-infested pines. It’s a long road from the frenetic lifestyle of a smokejumper, but after losing most of his unit in a runaway backcountry fire, the tranquility of a quiet wood is a welcomed peace. His phone rings. Jack’s estranged ex-wife can’t pick up their teenage daughter from camp in Wyoming. After the fire, Jack lost himself, and consequently lost his family. He hasn’t seen either of them in five years. Hesitant at first, he agrees. When Jack arrives at SkyCamp, it’s not exactly what he was expecting. He pulls in on his ’98 Wide Glide, sleeping bags latched to the back, eating the dust of a black G-Wagon. When Hanna sees her Dad, out in the middle of nowhere, atop a twenty year old Harley, it’s not exactly what she’d had in mind, either. Reluctantly she gets on. Over the next four days, we watch these two strangers battle as they ride across the wild Montana landscape and sleep beneath her bounty of stars. Watching his baby grow into a woman, and seeing her hero shrink to a man, a battle that starts off as face to face, slowly becomes back to back. But the mountains, the passersby, and the small seat of a motorcycle can only do so much to bring them together. The rest is up to them.
Tokyo’s nasty underside, seen primarily through the eyes of Oscar, a druggie, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar’s drug-fed hallucinations alter Tokyo’s already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister’s sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum’s colors can be beautiful; it’s people’s colorless lives that can be ugly. And what of afterlife, is there more than a void?
A Brooklyn couple has always known that their four-year-old son is more interested in fairy tale princesses than toy cars. But when his preschool director points out that his gender-nonconforming play may be more than a phase, the couple is forced to rethink their roles as parents and spouses.
After surviving a violent encounter, renowned pianist, Amber Waltz, relocates to a rural farmhouse to complete her latest symphony. When the music mysteriously begins writing itself, Amber slowly discovers that this piece could be her last.
Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps (the “nine queens”).
With the world’s end imminent, a dying mother sends her young son on a journey to the place which grants wishes. The film’s inspired by the works of 13th century Sufi mystic and poet, Rumi.