In the wake of a shocking civilian massacre in a foreign war zone, disgraced Navy SEAL Rick Tyler is sentenced to rot in a maximum security military prison until he is offered the opportunity to put his life on the line to win his freedom. A one-man force of nature, Tyler will have to take-on and take-down some of the world’s most ruthless killers in some of the world’s most brutal locations to win the game, obtain his freedom and find out why he was set up. The question is, can he accomplish all of this before Game On is Game Over?

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A secluded couple revives their bond through separate fantasy letter exchanges.

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The Reverend, accompanies a ragtag group of military rejects to a remote South Pacific Island to investigate the disappearance of Marine units said to be at the hands of the Japanese Imperial Army.

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In 1968, five friends took a road trip to climb Cerro Fitz Roy, and documented the whole thing on a 16mm Bolex. Along the way they surfed undiscovered breaks, skied on sand and snow, spent 31-days in a snow cave

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Alice and her best friend Lauren inadvertently set a hellish curse in motion after surprisingly acquiring a mysterious shrunken head. Wanting to know more about their fiendish find, they pay a visit to a popular paranormal podcast host Hunter Perry of “Beyond the Veil”. Hunter discovers it’s true authenticity of the ages-old object and in hopes of creating a rating boost, he plans a LIVE podcast in which the tale of the shrunken head will be introduced to the masses. Little do they know by playing the game and calling her name they will release the malevolent demonic spirit of Lilith Ratchet.

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Jane and David Morrison flee to a secluded farmhouse ahead of a mounting scandal that threatens to ruin them. Jane, unsure of her husband’s guilt or innocence, takes a fateful walk in the woods, and discovers an ancient graveyard. In the wake of her discovery, Jane is plagued by visions, but is her mind falling apart or is the haunting apparition from the woods reaching out to her, scratching on the walls of our reality?

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After years of futile struggle on L.A.’s grueling audition circuit, would-be actress PRISCILLA ANDERS is bitterly contemplating a permanent return to her humdrum hometown-until one fateful morning in the diner where she waitresses. When Priscilla overhears seedy regulars discuss a bizarre riddle that hints at hidden loot, she recruits the lovelorn mechanic BENNY to help crack the code that could fund her Hollywood ambitions. But as the pair encounter a host of colorful-but-dangerous criminals it becomes clear the loot is hot, hefty, and blood-soaked.

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Sam and Jonathan, a pair of hapless novelty salesman, embark on a tour of the human condition in reality and fantasy that unfold in a series of absurdist episodes.

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Veteran smokejumper Jack Elliot fells trees on a steep mountain slope high in the Montana wilderness. He’s one of a five-man crew harvesting beetle-infested pines. It’s a long road from the frenetic lifestyle of a smokejumper, but after losing most of his unit in a runaway backcountry fire, the tranquility of a quiet wood is a welcomed peace. His phone rings. Jack’s estranged ex-wife can’t pick up their teenage daughter from camp in Wyoming. After the fire, Jack lost himself, and consequently lost his family. He hasn’t seen either of them in five years. Hesitant at first, he agrees. When Jack arrives at SkyCamp, it’s not exactly what he was expecting. He pulls in on his ’98 Wide Glide, sleeping bags latched to the back, eating the dust of a black G-Wagon. When Hanna sees her Dad, out in the middle of nowhere, atop a twenty year old Harley, it’s not exactly what she’d had in mind, either. Reluctantly she gets on. Over the next four days, we watch these two strangers battle as they ride across the wild Montana landscape and sleep beneath her bounty of stars. Watching his baby grow into a woman, and seeing her hero shrink to a man, a battle that starts off as face to face, slowly becomes back to back. But the mountains, the passersby, and the small seat of a motorcycle can only do so much to bring them together. The rest is up to them.

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Tokyo’s nasty underside, seen primarily through the eyes of Oscar, a druggie, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar’s drug-fed hallucinations alter Tokyo’s already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister’s sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum’s colors can be beautiful; it’s people’s colorless lives that can be ugly. And what of afterlife, is there more than a void?

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The 171-minute director’s cut restores nearly 24 minutes of additional scenes that were not included in the original cut. This version adds more graphic violence and extends many preexisting scenes. The biggest chunk of new footage added, as director Ari Aster acknowledges, is the subplot of Christian researching for his anthropology thesis.

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Mi-Young runs a shop at a traditional market, where she makes and sells twisted bread sticks. Her husband Seok-Hwan works as a computer repairman. One day, Seok-Hwan wins a free trip to Hawaii. Mi-Young and Seok-Hwan will go on their first international trip together. When Mi-Young and Seok-Hwan get on the airplane to Hawaii, things don’t go as expected. Terrorists, including Cheol-Seung who chase after a secret agent, get on the same airplane. The passengers soon become hostages. Suddenly, Mi-Young and Seok-Hwan begin to rescue the passengers.

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