
Based on true events, Gaskins: The Hitchhiker Killer follows Donald “Pee Wee” Gaskins, South Carolina’s most infamous serial killer, as his past catches up with him, unraveling his empire in a brutal reckoning from the 1960s to the 1980s.

Based on true events, Gaskins: The Hitchhiker Killer follows Donald “Pee Wee” Gaskins, South Carolina’s most infamous serial killer, as his past catches up with him, unraveling his empire in a brutal reckoning from the 1960s to the 1980s.

A broken down veteran detective gets caught up in a world of desire as he falls for a woman who is a key suspect in a series of murders.

Entourage,” the much-anticipated big-screen version of the award-winning hit HBO series, reunites the show’s original cast, led by Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara and Jeremy Piven. Movie star Vincent Chase (Grenier), together with his boys, Eric (Connolly), Turtle (Ferrara) and Johnny (Dillon), are back…and back in business with super agent-turned-studio head Ari Gold (Piven). Some of their ambitions have changed, but the bond between them remains strong as they navigate the capricious and often cutthroat world of Hollywood.

Lisa, a transgender teen at St Valentine’s High, develops feelings for rugby captain Mose while dealing with school prejudices and fighting for acceptance.

Mick Garris directs the linking sequences set in a cinema theatre where Mickey Rourke is the projectionist and the audience are lured in to view films which feature strangely familiar characters. The Thing in the Woods, directed by Alejandro Brugués is a pastiche which throws in every cliche from slashers to alien spiders. Mirare directed by Joe Dante deals with the weirder aspects of cosmetic surgery philia, taking it far beyond any logical conclusion. Mashit directed by Ryûhei Kitamura takes place in a Boarding School where staff and pupils are possessed by Demons. This Way to Egress directed by David Slade is filmed in dark monochrome, a woman loses touch with reality and seems to have crossed into a frightening parallel universe. Dead directed by Mick Garris is set in a hospital where a boy fights evil spirits and a real life murder.

In the 31st century, sexy blonde android Galaxina helms the crew of a space cruiser on a mission to find the Blue Star, a mystical gem that holds unlimited power.

In the future, Simulacron, a computer project simulating reality, encounters strange occurrences after its leader’s death. Dr. Stiller questions the sudden disappearance of a friend and wonders if Simulacron holds the answers.

On a rescue mission to the North Pole to retrieve an old friend and his lost expedition crew, Captain Mortimer gets more than he bargained for when his ship is frozen into the ice sheet and set upon by bloodthirsty fish-creatures. Mortimer and his surviving crew flee the ship, beginning a treacherous journey to find safety in a frozen desolate wilderness. Suffering from starvation, frostbite and a slow madness, they find shelter inside a snowy mountain, but are they as safe as they think, or have they entered the heart of the creatures lair.

Don Oscar, if he wanted, could have been the next Escobar, but instead he sits on the ruins of his decrepit little drug empire. And let’s face it, there is not much left to sit on. Only a handful of his most faithful guard still remain with him. An unpaid debt starts bringing consequences and a bag with the last hidden money passes from hand to hand, from dead to dead. Loyalty proves fickle as the death toll keeps mounting. Only one ending appears likely for Don Oscar – A black comedy about thugs who are neither first-, nor second-, nor even third-class criminals in the Colombian town of Tulua. As the director remarks, “it is neither Tarantino nor a drug lord story”. It’s a simple story about low-profile thugs, a story challenging every genre cliché and prejudice.

The McCabe family weekend getaway is turned upside down when a mysterious stranger knocks on their door.

A married man gets cheated on by his wife and she gets pregnant. He then torments her through creative plotting via a phone.