A worldwide pandemic has struck causing small businesses of all natures to struggle keeping their open signs, up and lit. That is until the government created a loan for these businesses that is totally forgivable with requirements.

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A struggling social media influencer discovers the house he shares is haunted. The ghost brings him and his friends fame and fortune, but with deadly consequences.

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Celess and Tina play the game too well to be considered your average gold diggers. And they’re winning too. But when the jaw-dropping secret they both share is exposed, the same shovel that got them out of the dirt could very well bury them.

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LIFE AT THESE SPEEDS is an uplifting and emotional romantic drama about the power of our happiest memories to sustain us in the worst of times. After a teenager’s best friends die in a tragic accident, he finds that running allows him to remember them perfectly. Running, however, also brings him a certain notoriety, and he soon finds himself caught between keeping the past alive and making new memories in the present.

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In a not so distant future, where overpopulation and famine have forced governments to undertake a drastic One-Child Policy, seven identical sisters (all of them portrayed by Noomi Rapace) live a hide-and-seek existence pursued by the Child Allocation Bureau. The Bureau, directed by the fierce Nicolette Cayman (Glenn Close), enforces a strict family-planning agenda that the sisters outwit by taking turns assuming the identity of one person: Karen Settman. Taught by their grandfather (Willem Dafoe) who raised and named them – Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday – each can go outside once a week as their common identity, but are only free to be themselves in the prison of their own apartment. That is until, one day, Monday does not come home.

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A road-movie about 7 young women’s artists on tour on a bus, all over Europe this summer, who create on stage a manifesto on feminism, sex, art and education.

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Princess Diana’s story is told exclusively through contemporaneous archive creating a bold and immersive narrative of her life and death. It also illuminates how the public’s attitude to the monarchy was, and still is.

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A tale of love and violence when a man on his emotional last legs finds a savior seductively dancing in a run-down strip club. And a life most certainly headed off a cliff suddenly becomes redirected – as EVERYTHING is now worth dying for.

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Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence.

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When a teen goes missing, her family must figure out her secrets to find out the kidnapper’s identity and motive. As more evidence is revealed and a police investigation commences, the truth gets distorted repeatedly, leading to a shocking reveal.

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Once upon a time, in a far, faraway place, there were two lands. The world was divided into an inner land and an outer land. People feared the outer land. Inhabited by eerie beings, the carriers of curse. One day on the border to the inner land inhabited by humans, one such being find a girl on heaps of abandoned dead bodies. The girl says her name is Shiva and shows affection to the “being” who found her, calling him “Teacher”. This is a story of two people; one human, one inhuman, who linger in the hazy twilight that separates night from day.

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Scenes of a Sexual Nature is a very intelligent film. It is skilfully crafted, beautifully shot and with superb acting. Only the most jaded and cynical could fail to appreciate this film… and is without a doubt one of the sweetest films made in a number of years.

Sex and love. Some seek it, some need it, some spurn it and some pay for it, but we’re all involved in it. Set on one afternoon on Hampstead Heath, London, the film investigates the minutiae of seven couples. What makes us tick? The British have done it again – successfully shown how talent, ensemble attitude, prudent production values, and esprit de corps can result in a first class thoughtful comedy of life. A first outing for writer Aschlin Ditta and director Ed Blum, this entertaining, intelligent and beautifully wrought film is a veritable showcase of some of Britain’s finest actors.

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