In 1963 Michigan, business rivals Kellogg’s and Post compete to create a cake that could change breakfast forever.

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An exploration of active volcanoes around the world.

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USH examines the world of renegade physician Dr. William Rush (Tom Ellis, “Miranda”), a “medical fixer” who privately caters to LA’s elite and whose service comes with a hefty price tag. Though the hard-partying doctor claims that he doesn’t make judgments about his less-than-squeaky-clean clients, he’s not immune to the ugliness that he encounters.

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Princess Charlotte of Marovia escapes her royal life to find herself and love in a New England town during a secret Christmas baking competition.

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Bella Sparks, runs Bella’s Boutique. Stefan needs to be outfitted for a week of high-stakes meetings after his luggage goes missing. She accidentally discovers Stefan is actually Stefan William Francis Brown, the Duke of Tangford.

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19-year-old Sophie Walker fights with her mom the day of her mom’s death. Sophie is especially devastated because she wrote an apology and texted it but her mother never got the text. Sophie goes to a summer archery camp as a worker to try and recover from her loss. She is befriended by a group of girls and they invite her to join the archery team . As Sophie struggles to find peace she meets a mysterious man in the woods who just might be able to get Sophie’s message to her mother.

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A mother struggles to take control of her life in the face of advanced Parkinson’s disease, while her son battles his sexual and emotional identity amongst the violence of Alberta’s oil field work camps.

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The extended cut of Sucker Punch adds approximately 17 minutes and 45 seconds of additional footage, and is R-rated. The extended cut is much darker than the theatrical cut – The violence and action scenes have also been extended as well, with two re-inserted battle sequences, one with the orcs at the castle (arterial spurts of green orc blood), and the other with the German World War I zombies.

Born from the creative vision of filmmaker Zack Snyder (Watchmen, 300), this epic action fantasy launches from the vivid imagination of a young girl whose dream world provides the ultimate escape from her darker reality. Locked away against her will, Babydoll (Emily Browning) has not lost her will to survive. Determined to fight for her freedom, she urges four fellow captives – outspoken Rocket (Jena Malone), street-smart Blondie (Vanessa Hudgens), fiercely loyal Amber (Jamie Chung) and reluctant Sweet Pea (Abbie Cornish) – to band together and try to escape their terrible fate at the hands of their captors Blue (Oscar Isaac), Madam Gorki (Carla Gugino) and the High Roller (Jon Hamm).

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After a sudden tragedy, a recovering alcoholic attempts to reconcile with his two estranged sons over a weekend, but the encounter reveals secrets that could destroy their family forever.

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Let Me In blends the innocent face of Chloe Grace Moretz with the darkness of vampirism. A young boy named Owen has troubles at home and at school. But when a mysterious girl named Abby moves in next door, Owen hopes he’s found a friend, even though she smells a little strange. Unfortunately, his new friend needs blood to live, and the man who seems to be her father goes out to drain local residents to feed her. But even as Owen starts to suspect something is wrong, having a real friend might just matter more. Because the Swedish film adaptation of the novel Let the Right One In (on which Let Me In is based) was surprisingly popular and critically acclaimed, it’s going to be hard for Let Me In to avoid comparisons. Surprisingly, it retains much of the flavor and spirit of the original.

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With subtle, vulnerable performances, Nana’s Boys focuses on the intimate life of a couple who are confronted with the fact that their relationship is not as solid as they thought.

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An aging cowboy must choose between his desire to remain free and the responsibilities of maintaining a family.

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