This is a fanedit of Underworld and Underworld III Rise of the Lycans. The movies are reorganized to tell the story of Viktor and Lucian in chronological order.
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A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they’ve taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
Madea jumps into action when her niece, Shirley, receives distressing news about her health. All Shirley wants is to gather her three adult children around her and share the news as a family. But Tammy, Kimberly and Byron are too distracted by their own problems: Tammy can’t manage her unruly children or her broken marriage; Kimberly is gripped with anger and takes it out on her husband; and Byron, after spending two years in jail, is under pressure to deal drugs again. It’s up to Madea, with the help of the equally rambunctious Aunt Bam, to gather the clan together and make things right the only way she knows how: with a lot of tough love, laughter … and the revelation of a long-buried family secret.
Inspired by true stories and real-life characters, PLEASURE FACTORY tells an intimate and seductive tale involving pleasure seekers and pleasure providers in Geylang, Singapore’s red light district. In the course of one night, an army boy loses his virginity with the help of his experienced buddy; a teenage girl gets initiated into the pleasure manufacturing process; and a jaded prostitute pays a young busker good money in exchange for a song he never gets to sing.
A Gripping Inside Account of American Efforts in Afghanistan – It provides a fascinating and unbiased look inside the U.S. war in Afghanistan.
Camp Victory, Afghanistan is the true story of the American Exit Strategy. Using 300 hours of footage shot over the course of three years, the film follows a battle-tested Afghan General and the steady stream of U.S. National Guard soldiers deployed to train the men of his newly formed battalion. It is the first film to examine the reality of building a functioning Afghan military– but it is also a story about friendship and the unlikely bonds that form across cultural, political and social barriers.
Sandra Brown’s “Smoke Screen” follows newswoman Britt Shelley (Jaime Pressly), who shockingly wakes up in bed next to the dead body of Detective Jay Burgess and is suspected of foul play. Five years prior, Jay’s lifelong friend Raley Gannon (Currie Graham) also woke up next to a dead body. After learning of Britt’s scandal and the similarities between their two cases, he realizes she might be his only chance for vindication. As the two unravel their mysterious cases together, they find themselves caught in a dangerous political cover-up involving arson and murder.
Outstanding Werewolf Romance – Beautifully Directed and Definitely Worth Watching! An awesome horror/ occult movie!
In Bucharest, Romania, the orphan Vivian was raised by her aunt after losing her parents ten years ago in the Rocky Mountains, Colorado. His family belongs to a bloodline of werewolves and Vivian is promised to the leader of the pack, Gabriel. When the American cartoonist Aiden, who is researching werewolves for his publisher for the next edition of his magazine, meets Vivian, they immediately fall in love for each other. However, the evil son of Gabriel and Vivian’s cousin Rafe poisons Gabriel about the love of Vivian, forcing her to choose between her bounds with her family and her passion for Aiden.
Chinese-style martial arts master So Chan is a wealthy man of the Qing Dynasty (1644-1911) obsessed with Kung Fu. He falls from grace to become a beggar after he and his family became the victims of conspiracies. However, after reviewing his past and working hard to transform his life, and now honored as “King of Beggars”, he rises again as a Kung Fu legend, patriot and folk hero.
One day, a dying Sifu flees from the Imperial City to a small village. He’s being hunted and is on his last dying breathe. He is found by a humble farmhouse cook named Tu who, at the request of the dying Sifu, must return a very important Kung Fu Academy Tablet to the Sifu’s daughter Moli in the imperial city. Tu made a simple promise that turns out to change his life forever.
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Sci-fi writer Sakutaro (Tsuyoshi Kusanagi) and bank employee Setsuko (Yuko Takeuchi) has always been together and eventually married. One day, Setsuko complains of a stomach ache and is hospitalized. Sakutaro then learns that his wife has colon cancer. Sakutaro takes the advice from his doctor that laughter helps the immune system and proceeds to write a short story for his wife every day. At first, Setsuko was expected to live for only 1 more year, but she lived for 5 more years and Sakutaro eventually wrote 1,778 short stories for his wife.
Owing a big debt, Cherry is brought to an underground factory, where severe criminals and illegal immigrants are kept. Cherry is assigned to work with a group of girls. If anyone breaks the rule, she will be brought to the supervisor, tortured and sexually abused. Actually Cherry comes to find her lost boyfriend who investigate the secret behind the factory. To uncover the conspiracy and save her boyfriend, Cherry has to sacrifice her body…
In striking visual detail, The Codes of Gender explores Goffman’s central claim that gender ideals are the result of ritualized cultural performance, uncovering a remarkable pattern of masculine and feminine displays and poses. It looks beyond advertising as a medium that simply sells products, and beyond analyses of gender that focus on biological difference or issues of objectification and beauty, to provide a clear-eyed view of the two-tiered terrain of identity and power relations.
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