A once-acclaimed New York playwright, NATE (Jemaine Clement), is struggling to finish his new play when his wife (Maria Dizzia) leaves him, taking their son. Desolate, broke and unable to pay the rent, Nate begrudgingly moves in with his widowed father, BOB (Elliott Gould), in his New Jersey retirement golf community. Bob, always quick with a joke, uses humor to deal with all of life’s challenges, even the death of his beloved wife. It drives Nate crazy. Thinking his son could benefit from some discipline, Bob sends Nate to work for ELLIS (Willie Carpenter) an older ex-Marine who runs operations at the community. While at work, Nate stumbles on a senior citizen theater troupe staging a musical. Nate agrees to help but quickly realizes it won’t be easy to get these quirky women to cooperate. And one of them, DEE (Annie Potts) even invites him to dinner to not-so-subtly set him up with her daughter, ALLISON (Ingrid Michaelson). Things reach a breaking point when a video of Nate’s …

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This controversial sitcom defined the late ’70s and was an instant classic! With its combination of implausible plots, exaggerated melodrama and a liberal dose of wackiness, this parody of TV soap operas was both popular and critically acclaimed, winning 4 Emmy Awards and 17 nominations.

Surprises and shenanigans abound between the families of two sisters, Jessica Tate and Mary Campbell, where each family member is either crazy, involved in an incriminating secret, or both. The unparalleled cast features Katherine Helmond (TV’s Who’s the Boss?), Richard Mulligan (TV’s Empty Nest), Robert Guillaume (TV’s Benson), Cathryn Damon (TV’s Webster), Robert Mandan (The Best Little Whorehouse in Texas), and Billy Crystal (When Harry Met Sally).

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GOOD OL’ BOY is the story of Smith, a ten-year-old boy from India growing up in Small Town, America in 1979. While the boy’s family straddles the fine line between embracing the American Dream and preserving their Indian heritage, there are barbecues, Halloween and hunting. And as Smith falls for Amy, the girl-next-door, he finds in Amy’s father Butch the cowboy he wishes his own father could be. But alas, when Smith’s father Bhaaskar sees Smith is quickly losing any hope of remaining a respectable Indian boy, he banishes him back to India. Nineteen years later Smith will return to America, back to a place he once called home.

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Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do.

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Serving a life sentence in one of Israel’s toughest prisons, Mikki Levy never thought he’d ever see the light of day. But when’s he’s released early on a technicality, Mikki moves to New York hoping for a fresh start. Living with his uncle in a Brooklyn, the harsh reality of life as an ex-con sets in and he gets dragged into a brutal turf war with the Russian mob forcing him to revisit his dark past and the survival skills he learned in prison. Mikki aggressively ascends the ranks of the underworld, but his tenacious drive may be the cause of his demise.

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Two best friends are pitted against each other when a new girl comes to town, matters are further complicated when they enlist together in the U S Army to fight in the Persian Gulf War, the men and their unit captured by Iraqi forces and must work together with other prisoners of war to escape Operation Desert Storm.

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A social media couple’s camping trip is ruined by filmmakers making a documentary on how easy it is to track someone down off social media and kill them.

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Under Milk Wood is an imaginative, cinematic rendering of Dylan Thomas’s famous “play for voices,” typically read on stage by a handful of actors expressing the dialogue of more than 50 characters living in a small, Welsh fishing village. Filmmaker Andrew Sinclair sets the story in a real seaside community and visually complements the text’s lengthy, opening narration by enlisting Richard Burton both for his brooding voiceover and a mysterious, on-screen role as a drunken gadabout soaking in the very soul of the town Thomas’ words describe. Once the narration ends, the film breathes freely with a succession of lively vignettes, some funny, some dramatic, but all rooted in the peculiar circumstances of characters who either feel trapped by or ensconced in their home.

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Batman Beyond tells the story of Terry McGinnis was just an ordinary teenager…until his father was mysteriously murdered. Suspecting foul play at his father’s company Wayne/Powers Corporation, Terry meets Bruce Wayne and learns a secret identity hidden for decades. Now too old to battle injustice, Wayne is a bitter shell of his former self and refuses to help. So Terry does what any brash young kid would do: steal the Batsuit and take matters into his own hands! Vowing to avenge his father’s death, Terry dons the high-tech suit – tricked out with jetpacks for flying, a supersensitive microphone for eavesdropping and even camouflage capabilities – in search of his father’s assassin.

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Director Chris Weitz’s historical thriller is based on the story of how a group of Israeli secret agents arrested notorious SS officer Adolf Eichmann – the man who masterminded the “Final Solution” – in Argentina. Oscar Isaac plays the legendary Mossad agent Peter Malkin, while Ben Kingsley plays his emotionally manipulative arch-nemesis. After tracking Eichmann down to Buenos Aires, Malkin and his men captured him and brought him to Israel for a historic 8-month trial.

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Tells the story about a teen who comes into possession of a new laptop and finds that it may have been stolen. He discovers the previous owner may be watching every move he makes and will do anything to get it back.

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In the aftermath of ‘Captain America: Civil War,’ Scott Lang grapples with the consequences of his choices as both a Super Hero and a father. As he struggles to re-balance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission. Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from their past.

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