Where were you when the world ended? Josh McManus, a traveling salesman with a history of violence, was passing through a dusty West Texas town. The right man at the wrong time, Josh foiled a robbery perpetrated by The Barbarians, an outlaw biker gang led by a vicious man named Hawg. Then it happened. An unnatural flash in the sky, followed by a crippling series of earthquakes, throws the entire world into chaos. Is it the long-awaited event called The Rapture? Josh doesn’t care. His only goal is to get home to his family, but he’ll have to fight his way through the Barbarians to do so. It will be a dangerous journey to the very center of his soul.

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Two strangers defend an eccentric estate from a caustic witch known as Lily Grace.

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Ronnie Scheib of Variety says this is writer-director Matt Sobel’s, first full length film. ‘Take Me to the River’ unfolds in an atmosphere of mystery and dread that contrasts with its surroundings’ bucolic serenity. A gay Californian teenager’s visit to Nebraskan relatives turns more nightmarish than he anticipated, for reasons that he never could have imagined, as clouds of displaced sexuality hover over flowing rivers, fertile fields and little girls on big horses. Told uniquely through the kid’s (Ryder, played by Logan Miller) largely uncomprehending point of view, this Midwestern gothic tale maintains sufficient visual distance to suggest alternative narratives from other perspectives. This superlatively acted indie film promises more than it delivers, but chillingly evokes sufficient primal dread to intrigue all audiences.

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Six people are thrown together during an elaborate bank heist where any move can alter the outcome. Is it coincidence, or are they merely pawns in a much bigger game?

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Deep in the jungles of Southeast Asia, a terrorist organization has stolen materials to create a dangerous chemical bomb. It is up to Captain Max Randall (Mark Dacascos, TV’s “Hawaii Five-0”) and his team of Marines to stop them. But when Randall’s team kills the terrorist leader’s son, the group responds by kidnapping General Wallace’s (Treat Williams, TV’s “Chicago Fire”) daughter. It is up to Randall to save her and stop the terrorist attack in this action-packed, explosive thriller from legendary producer Roger Corman.

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A figure skater is injured during a competition. A coach that hired her then helps her rehab her injury so that she may live her dream.

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A streetwise teenage runaway is on the lam from her probation officer. Her name is Jacquelyn, but if you call her anything but Jack, she’ll cut you. Needing to lay low, earn money, and gain adequate stability to rescue her 11-year-old sister Coke from foster care, Jack cons her way into a suburban home as live-in helper for their autistic 11-year-old daughter, Glory. Much to her surprise, Jack has a unique ability to connect with the nonverbal little girl. As she positively impacts Glory, the family impacts Jack. Particularly Kay, Glory’s mother. As these two scrappy survivors find an affinity with each other, Kay finds in Jack a daughter she can talk to. When romantic sparks fly between Jack and Robert, Glory’s 17-year-old brother, we see a group of wounded people poignantly and surprisingly begin to heal each other-just a little bit. But the law catches up, the truth comes out, and Jack is forced to make a choice-to save her own hide, or save someone else.

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As a writer stymied by past success, writers block, substance abuse, relationship problems and a serious set of father issues, Elliott’s cracked-out chronicle of a bizarre murder trial amounts to less than the sum of its parts. Not long into the 2007 trial of programmer Hans Reiser, accused of murdering his wife, the defendant’s friend Sean Sturgeon obliquely confessed to several murders (though not the murder of Reiser’s wife). Elliott, caught up in the film-ready twist and his tenuous connection to Sturgeon (they share a BDSM social circle), makes a gonzo record of the proceedings. The result is a scattered, self-indulgent romp through the mind of a depressive narcissist obsessed with his insecurities and childhood traumas.

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June Havens finds her everyday life tangled with that of a secret agent who has realized he isn’t supposed to survive his latest mission. As their campaign to stay alive stretches across the globe, they soon learn that all they can count on is each other.

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Isabelle and Gérard go to a strange appointment in Death Valley, California. They have not seen each other for years and are here to answer to an invitation from their son Michael, a photographer, which they received after his suicide, six months ago.

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A rag tag band of idiots on the verge of signing a recording contract is sandbagged by their lead singer, Chas Knopfler, into throwing the mother of all parties the night before they embark on a world tour. Eddie Mesmer, the rhythm guitarist, awakens to find his drummer, Toss Dunbar, hanging from a tree like a scarecrow, and the house completely destroyed. Eddie and Toss quickly realize that A: they can’t remember anything and B: there’s a dead guy in the pool. Now, they have to figure out what happened the night before or their Rock and Roll dream is over. Their only hope is State Dependent Learning, which is the scientifically proven fact that information learned while under the influence of a given “substance”, can only be recalled and used to solve a task when you are in the same state. Or in Layman’s terms… They have to drink to remember. The prior night’s debauchery comes back to them as they get Halfway to a Blackout against insurmountable odds. Will Bad Math realize they’re ..

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Vazgen “Vaz”, a Mobster turned businessman, is pulled back into his past life, when his eldest son is accused of killing a Russian gangster. Now he must find a way to save his family and all that he’s built.

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