In the 1930s, Winston Churchill was out of government, sitting as a backbench MP. His was a lonely voice warning about German rearmament and the coming of a second major war on the Continent. He lost a great deal of money in the Wall Street crash and now writes – a biography of his ancestor the Duke of Marlborough, a newspaper column – and it’s his only means of support. He has a close-knit group of supporter not the least of whom is his wife Clemmie, who he loves very dearly. As he continues to press his concerns about Hitler, he is cast as a warmonger and frequently shouted down in Parliament by members on both sides of the aisle. With reliable information from a Foreign Office civil servant who feels the government is not accurately reporting on rearmament, he provides accurate figures to Parliament and the tide begins to turn. With the onset of World War II in September 1939, Churchill returns to government as First Lord of Admiralty.

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This movie is about a close-knit group of employees who one day have all manner of strange visitors coming onto their forecourt, including Richard Pryor as a preaching “wonder-man” who is loved by most, but loathed by one, and a man who looks like a thief by the way he is holding his bottle, but it is really his urine sample as he is off to the hospital. T.C.’s love life takes a turn for the better, and the songs keep coming.

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A scattered college kid, Arlo, and his frat-bro roommate, Blake, try to navigate their hyper-masculine tendencies and their aggression boils over when they end up competing for the same girl.

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A newly married man soon realizes that the life of his dreams with the girl he’s always wanted is not quite what he thought it would be.

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Gloria Wondrous awakens in a luxurious bedroom that’s not hers. She swallows a jolt of distilled courage, tosses aside $250 left by an admirer, leaves a scornful reply in lipstick on the mirror, dials her service for messages and slips into a mink coat she finds in the closet. The day and the movie are off to a roaring start. Moviegoers and Hollywood left a message of “Hurrah!” for Elizabeth Taylor and Butterfield 8. Audiences made the film, co-starring Laurence Harvey and Eddie Fisher as a married lover and platonic friend who matter to Gloria, a box-office hit. And Taylor won her first Best Actress Academy Award as the call girl whose life comes with a complete set of emotional baggage. For a glossy, good time, don’t call. Watch.

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Humphrey van Weyden, a writer, and fugitives Ruth Webster and George Leach have been given refuge aboard the sealer “Ghost,” captained by the cruel Wolf Larsen. The crew mutinies against Larsen’s many crimes, and though van Weyden, Ruth, and George try to escape Larsen’s clutches, they find themselves drawn inexorably back to him as the “Ghost” sails toward disaster.

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On the last day of summer, a group of friends attempt to break into a local music festival.

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It is the height of the cost of living in Silicon Valley and the opportunistic landlords and the aggressive land developers have left little to no room for the average income earner to keep a roof over their heads. When roommates Amanda and Brittney are handed their rent increase notice from their greedy landlord, they decided they could offset the increase by working overtime. That was until Amanda finds out that her grandfather’s only home is being threatened by foreclosure by the bank. The venture of overtime now seemed easier said than done to stave off this situation – It’s now anyone’s guess if they are capable of raising enough money in time to accomplish their goals or will they have to succumb to the times and pack up their bags, pack up their Grandfather’s home and move to who knows where. The clock is ticking . . .

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After the death of their father, two half-brothers find themselves on opposite sides of an escalating conflict with tragic consequences.

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A touching family tale that follows little Billy as he sets out on a mission to speak with his mother in the afterlife while he is still coming to terms with her passing.

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People are mysteriously disappearing. Those lucky enough to make it through the initial disappearances must join together to survive, while struggling through some classic horror movie tropes.

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Unemployed husband and father Leonard (Better Call Saul’s Patrick Fabian) is an unapologetically old school guy living in a tech-addled world. In order to make ends meet, he plunges headfirst into the brave new world of the gig economy as a driver for DriverX, a popular rideshare service. Roaming the streets of Los Angeles by dark, Leonard finds himself drawn into a sex, alcohol, and Tinder-fueled night world where the next person to get in your car could be anyone: your new best friend, your worst nightmare, or even your next lover. Cuttingly funny and perceptive, DriverX is a timely, all-too-real look at finding your footing in the age of digital disruption.

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