Current portrait of a family in the city. Dolores is an elder woman struggling to defend her freedom. Rafael is retired athlete who wants to give some meaning to his existence. Laura is a lovesick teenager debating a decision that will change her fate.
The exact details of what took place while Talib Ben Hassi (19) was in police custody remain unclear. Police officers, Jens and Mike, are on routine patrol in Svalegården’s ghetto when news of Talib’s death comes in over the radio, igniting uncontrollable, pent-up rage in the ghetto’s youth, who lust for revenge. Suddenly, the two officers find themselves fair game and must fight tooth and claw to find a way out.
Rufus Paisley is an alcoholic who refuses to admit it. Everything he loves is gathered in one place: the “Rollers”. He even gave up a promising career as a musician to stay there. But this historic place, once owned by his parents, is in difficulty and he is short of the means to save it. His friends urge him to move on, but can he?
Abby Brooks is the host of Abby’s Restaurant Takeover, a restaurant makeover television show focusing on high end urban eateries. She fell into this job, which has taken time away from her first love of actually being in the kitchen herself cooking. With a directive from the network on the risk of otherwise being canceled, Abby, with her best friend and director Kenna by her side, has to go on the road, if it tests well, in the rebranded Abby on the Road in broadening the makeovers to the likes of her first assignment, Rocko’s, a roadside diner in small town Lawrence, Minnesota, this assignment well outside of Abby’s comfort zone. What makes it even more difficult is that the proprietor/head chef, Tom Billings, had no idea of the makeover – the submission made by his loving family, his Aunt Marge, the diner waitress, and his teen daughter, Claire – and resists any change to Rocko’s in reverence and memory to his deceased parents, from who he inherited the diner, and his regulars who …
A mother struggles to take control of her life in the face of advanced Parkinson’s disease, while her son battles his sexual and emotional identity amongst the violence of Alberta’s oil field work camps.
Bruce Wayne is missing. Alfred covers for him while Nightwing and Robin patrol Gotham City in his stead. And a new player, Batwoman, investigates Batman’s disappearance.
After a sudden tragedy, a recovering alcoholic attempts to reconcile with his two estranged sons over a weekend, but the encounter reveals secrets that could destroy their family forever.
For time immemorial humanity has looked to the Stars for answers to unlock our origins. We have interpreted prophecy with the hope of predetermining our future. Through religious texts, scripture, art and oral tradition we have laid an enigmatic and illusive breadcrumb trail to our past, and yet the questions remain: Who are we? Why are we here and what is our destiny?
Set to a new wave ’80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together. A musical adaptation of the 1983 film.
LAPD Detective Sergeant Mitch Preston cares only about doing his job and nailing crooks. LAPD Patrol Officer Trey Sellars joined the force as a day job until his acting career took off. During an undercover drug buy Mitch was working that Trey botched by calling in for backup and drawing media attention, Mitch’s partner is shot with a very exotic 12-gauge automatic weapon; Mitch then shoots the video camera out of the hands of a reporter filming the action when the cameraman refused to shut it down. Faced with a $10 million lawsuit, the department agrees to let producer Chase Renzi film Mitch’s investigation for a new reality TV show, and constantly tries to make everything more “viewer friendly” by changing everything about Mitch’s life to fit the stereotypical view of police officers – and partners him with Trey.
Sarah Walsh is a struggling actress who recently moved back home to care for her terminally ill father. To make ends meet she works as a caterer and, as the film opens, is left to tend to the post-funeral gathering for Hank Boyd, a quiet loner who stood accused of a horrific crime and took his own life before standing trial. Sarah knew Hank in high school and, while he was a strange kid, doesn’t believe that he could do something so terrible. Her suspicions grow stronger after she meets Hank’s brother David, a local cop with a checkered past, his dimwitted partner Ray who’s charged with guarding the house, David’s mother Beverly who’s in the latter stages of dementia and Aubrey, his distant and obviously damaged younger sister. When Sarah overhears David and Ray talking her suspicions turn to alarm as it’s implied they were somehow complicit in Hank’s death and may have plans for her as well. Meanwhile Beverly has become convinced that Sarah is her long lost daughter while Aubrey …
U.S. Marshal Mason Pollard specializes in “erasing” people – faking the deaths of high-risk witnesses. With the technological advances of the last 25 years, the game has upgraded, and it’s just another day at the office when he’s assigned to Rina Kimura, a crime boss’ wife who’s decided to turn state’s evidence. As the two flee to Cape Town, South Africa, with a team of merciless assassins on their trail, Pollard discovers he’s been set up. Double-crossed and fueled by adrenaline, he needs to be at the top of his game, or he’ll be the one who’s erased. Permanently.
