A chronicle of Nelson Mandela’s life journey from his childhood in a rural village through to his inauguration as the first democratically elected president of South Africa.

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Ghost Box is a mystical film about an independent woman faced with a resent loss, turns to paranormal to conjure her recently deceased mother’s spirit. With the help of her loyal co-worker and modern technology, she attempts to communicate with the spirit-world. Not considering the consequences, her journey spirals into a macabre experience she will never forget.

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Two down-and-outs (Pat Shortt and Lewis MacDougall) come up with a plan to rob an amusement arcade, run by a devious local businessman (Michael Smiley), as revenge and as a way to set up a new life, far from Donegal.

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When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.

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Katrina (Carmen Ejogo) is a single mother driving cross country to start a new life with her young daughter Clara (Apollina Pratt) when their car breaks down in the middle of nowhere. As Katrina changes the tire, Clara wanders off the desert road and is bitten by a venomous rattlesnake. Desperate to save her daughter’s life, Katrina accepts the help of a mysterious woman, but after she miraculously heals Clara, Katrina is asked to repay the good deed by killing a stranger in exchange for the life saved. Without time to lose, she must wrestle with the morality of who deserves to live and who should die, before her daughter’s life is once again put in peril at sundown.

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Feeling trapped in the stifling, wealthy enclave of Westport, Connecticut, Anders Hill (Ben Mendelsohn) retires from his job in finance and leaves his wife (Edie Falco) in the hopes that it will renew his lust for life. However, he’s quickly faced with the startling reality of his choices; he spends his days looking for things to decorate his empty shelves, sleeping with strangers and feeling terribly lost. Missing his ex-wife and on the outs with his troubled 27-year-old son (Thomas Mann), Anders befriends a drug-addicted teen (Charlie Tahan), sending him down a path of reckless and regrettable behavior. His shameful actions cause him to question who he is as a father and, ultimately, who he is as a person.

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Emma and her sister Stacey are normal teenagers in a small town, when a mysterious infection begins to spread. With the town quarantined, and their parents stuck on the other side of the barrier, the girls have a blast eating junk food and sneaking out to go to parties. But when the disease starts to infect people they know, the girls, together with their neighbor Evan (Emma’s secret crush), barricade themselves into their home. But it may already be too late, as the infection is already in their midst, and Emma will be faced with a choice: protect her sister or survive the virus.

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A panicked young woman, with her reluctant friends in tow, rushes to Mexico to try and delete a ranting email she sent to her new boyfriend.

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Lewis (Luke Evans) is an outwardly ordinary guy, but in reality he is hiding an obsession – revenge – against Cathy (Kelly Reilly). Lewis kidnaps Cathy in broad daylight and takes her to his home, where he locks her in a soundproof cell and attempt to extract a dark secret from her past.

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Charlotte’s son Benny learns about old tradition Christmas train parade, he persuades her to try and reignite the Christmas magic that brought their community and neighboring towns.

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Sophie’s 18th birthday becomes a bloodbath when monsters descend upon her house and start to devour the party guests. Sophie and her friends must rally together to send their party crashers back to hell.

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With a tale of a caper gone wrong, this black comedy evokes the freewheeling émigré culture of lads short on work and cash and long on heavy boozing in the Irish lairs of Brooklyn and the Bronx. James, who has just burned his last bridge and now lacks both a job and a wife, teams up with friend Eoin on a for-hire mission to the racetrack on behalf of slippery raconteur Timmy Thomas. In a clumsy attempt at sleight of hand by a pair who wouldn’t know a winning hand if they saw one, the boys screw up royally, putting themselves under heavy obligation to a clutch of gangsters. There’s a new angle when a bold lady with a soft spot for the sound of Irish and the hots for greenbacks sets her sights on James.

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