Set in a totalitarian society. Ben Richards is a cop who was blamed for a massacre which wasn’t his fault. He would be sent to prison and breaks out with some other inmates. He tries to escape but the woman whom he dragged into his plan turns him over to the authorities. Damon Killian, who is the host of THE RUNNING MAN a game show wherein convicted felons are given the chance to run to freedom but have to elude the stalkers; men who hunt them down and kill them in gruesome manners.
Been waiting so long for a movie this smart! Bobcat Goldthwait’s scathing critique on modern pop culture is vicious, unapologetically ugly and truly hilarious. Whereas Mike Judge’s “Idiocracy” was a clever yet far fetched tale of humanity gone stupid, “God Bless America” uses, with absolute precision, a scalpel to peel back layer after disturbing layer of American shallowness and cruelty.
Loveless, jobless, possibly terminally ill, Frank has had enough of the downward spiral of America. With nothing left to lose, Frank takes his gun and offs the stupidest, cruelest, and most repellent members of society. He finds an unusual accomplice: 16-year-old Roxy, who shares his sense of rage and disenfranchisement.
An anesthesiologist (Wrenn Schmidt) must awaken her animal instincts when she, her husband and her brother-in-law become the quarry of unseen hunters who want to turn them all into trophies.
Special Operative James Webster (Michael Jai White “Blood and Bone”, “The Dark Knight”) just returned home from duty, only to witness the brutal slaying of his brother. Webster immediately tries to retaliate and hunt down the perpetrators, but as he delves deeper into the secret world of corruption and murder, he finds himself at the center of a deadly conspiracy that cuts deep inside the walls of the US Government. With the most ruthless military assassin (Steve Austin “The Expendables”, “WWF Raw”) hot on his trail, Webster must expose the corrupt high-ranking officials before he becomes just another victim of the nefarious plot.
In commemoration of the centennial of 3-D motion pictures, we present 3-D RARITIES. It has taken over 30 years for the 3-D Film Archive to assemble and restore the material in this eye-popping collection of ultra-rare and long-lost movies. Presented in high-quality digital 3-D, all films have been stunningly restored and mastered direct from archival materials. Meticulously aligned shot by shot for precise registration of the original left / right elements, these historic 3-D motion pictures have never before looked this good.
17-year-old Eli has just moved with his family deep into the backwoods of Kentucky to work on the isolated farm of a local recluse. Inexplicably drawn into the strange forest that lies beyond the farm, Eli encounters the beautiful, sweet and mysterious Amanda– seemingly the perfect girl. But with the discovery of decaying bodies hanging from the trees, he realizes that the forest…and Amanda…are harboring some very dark secrets. Suddenly, Eli is living in a waking nightmare where the lines between life and death are scrawled in blood, and there is no escaping the terror from beyond the grave.
This movie picks up where the TV show ended. Vincent Chase is offered a role by his former agent now Studio boss Ari Gold in a movie he is developing. Vincent agrees on the condition that he be allowed to direct the movie also. Nearly a year later, Vince is uncertain if the movie is ready, so he asks Ari for money to finish the movie. But Vincent has asked for money more than once already and Ari’s bosses are not happy of how much they’re spending. But he goes to their backer to ask for more money and he wants to see what Vince has shot so far but Vince won’t let anyone see it yet. But he’s planning a screening, and asks the backer to come to L.A. with him but he can’t so he sends his son instead. At the screening Vince decides not to show it. But gives out DVDS. The son after watching the movie, says he has issues with Drama, Vince’s brother who has a small role in the movie. Vince is unwilling to drop him. When they appease the son, he then says he has issues with Vince. So as they.
In danger of losing his badge, a big city detective agrees to aid a small town sheriff in a routine missing persons investigation only to discover that at least one girl has gone missing in this sleepy fishing town each year for the last twenty years. When a body finally emerges on the lake and suspects literally crawl out of the hills, the two lawmen realize they’re being toyed with and to make things worse, the killer seems to have set his eyes on a group of sorority girls who are not only isolated by the lake, but have their own nefarious plans in mind. Outnumbered and out of options, the two lawmen must solve the mystery of the missing girls or suffer the same fate.
Jerry (Ryan Reynolds) is that chipper guy clocking the nine-to-five at a bathtub factory, with the offbeat charm of anyone who could use a few friends. With the help of his court-appointed psychiatrist, he pursues his office crush (Gemma Arterton). However, the relationship takes a sudden, murderous turn after she stands him up for a date. Guided by his evil talking cat and benevolent talking dog, Jerry must decide whether to keep striving for normalcy, or indulge in a much more sinister path.
Billy Gardell is Rick Dancer, a wisecracking, disgruntled detective who is long past his prime. Only with the help of Princess, a fussy and fastidious canine cop, can Dancer break the case of his career.
It’s the end of the world. A flood is coming. Luckily for Dave and his son Finny, a couple of clumsy Nestrians, an Ark has been built to save all animals. But as it turns out, Nestrians aren’t allowed. Sneaking on board with the involuntary help of Hazel and her daughter Leah, two Grymps, they think they’re safe. Until the curious kids fall off the Ark. Now Finny and Leah struggle to survive the flood and hungry predators and attempt to reach the top of a mountain, while Dave and Hazel must put aside their differences, turn the Ark around and save their kids. It’s definitely not going to be smooth sailing.
Giuseppe Tornatore’s beautiful 1988 film about a little boy’s love affair with the movies deservedly won an Oscar for Best Foreign Film and a Special Jury Prize at Cannes. Philippe Noiret plays a grizzled old projectionist who takes pride in his presentation of screen dreams for a town still recovering from World War II. When a child (Jacques Perrin) demonstrates fascination not only for movies but also for the process of showing them to an audience, a lifelong friendship is struck. This isn’t just one of those films for people who are already in love with the cinema. But if you are one of those folks, the emotional resonance between the action in Tornatore’s world and the images on Noiret’s screen will seem all the greater – and the finale all the more powerful.
