In the animal city of Zootopia, which is populated by mammals, birds, fish, Invertebrates, reptiles, amphibians, Primates, Marine Mammals, dinosaurs, Arthropods, Insects, Mollusks, annelids, Echinoderms and Arachnids a fast-talking fox who’s trying to make it big goes on the run when he’s framed for a crime he didn’t commit. Zootopia’s top cop, a self-righteous rabbit, is hot on his tail, but when both become targets of a conspiracy, they’re forced to team up and discover even natural enemies can become best friends.

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A high-rolling corporate shark (Michael Douglas) and his impoverished young guide (Jeremy Irvine) play the most dangerous game during a hunting trip in the Mojave Desert in this lean, mean cat-and-mouse thriller.

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Lost deep in the forest of the Pacific Northwest, Ashley and Max Carr are stalked by a terrifying creature that might be Bigfoot. Soon they find themselves embroiled in a strange land of Native American myth and legend turned real. Hopelessly trying to survive, with a handful of unsavory locals, they must fight back against this monster in a desperate battle of life or death.

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Retired FBI profiler Terry McCaleb (Eastwood), who has recently had a heart transplant, is hired by Graciela Rivers (De Jesus), to investigate the death of her sister, Gloria, who happens to have given McCaleb his heart. On the case, he soon deduces that the killer, who staged the murder to look like a random robbery, may actually be a serial killer Terry was trailing for years in the FBI. Can the elderly and feeble McCaleb, who had intended to spend his retirement living on his boat in the Los Angeles harbor, and who can’t drive, and has to nap regularly, muster up the endurance to find the killer?

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The story of “Cinderella” follows the fortunes of young Ella whose merchant father remarries following the tragic death of her mother. Keen to support her loving father, Ella welcomes her new stepmother Lady Tremaine and her daughters Anastasia and Drizella into the family home. But when Ella’s father suddenly and unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Finally relegated to nothing more than a servant girl covered in ashes, and spitefully renamed Cinderella since she used to work in the cinders, Ella could easily begin to lose hope. Yet, despite the cruelty inflicted upon her, Ella is determined to honor her mother’s dying words and to “have courage and be kind.” She will not give in to despair nor despise those who abuse her. And then there is the dashing stranger she meets in the woods. Unaware that he is really a prince, not merely an employee at the palace, Ella finally feels she has met a kindred soul. It appears as if her …

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Prim schoolteacher Miss Meadows (Katie Holmes) is not entirely what she appears. Well-mannered, sweet, and caring, yes, but underneath the candy-sweet exterior hides the soul of a vigilante, taking it upon herself to right the wrongs in this cruel world by whatever means necessary. Things get complicated, however, when Miss Meadows gets romantically entangled with the town sheriff (James Badge Dale) and her steadfast moral compass is thrown off, begging the question: “Who is the real Miss Meadows and what is she hiding?”

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In the context of WW2 narratives, the story of Operation Mincemeat is unique a bizarre and seductive cinematic blend of high-level espionage and ingenious fiction, where the stakes could hardly be higher. Michelle Ashford’s script fuses multiple strands and moods: tense, romantic, thrilling, unexpectedly funny, and endlessly surprising. It tells a richly human story of the soldiers we seldom see, who fight a different kind of war in shadows and deception, haunted by the knowledge that certainty and guarantee of success are nowhere to be found.

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Harry, a charming house thief, gets more than he bargains for during an attempted burglary when he stumbles upon Daisy and decides to save her from herself, sending both of them into a darkly comedic journey of self discovery and love.

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Man-eating businesswoman, Angela Barrows is sent by her US company to Edinburgh to investigate export opportunities. She meets businessman Robert MacPherson en route and he persuades her to help bring his company into the 20th century. The staff, lead by Mr. Martin, have other ideas and a battle between the old and new business methods breaks out.

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HIGH-RISE stars Hiddleston as Dr. Robert Laing, the newest resident of a luxurious apartment in a high-tech concrete skyscraper whose lofty location places him amongst the upper class. Laing quickly settles into high society life and meets the building’s eccentric tenants: Charlotte (Miller), his upstairs neighbor and bohemian single mother; Wilder (Evans), a charismatic documentarian who lives with his pregnant wife Helen (Moss); and Mr. Royal (Irons), the enigmatic architect who designed the building. Life seems like paradise to the solitude-seeking Laing. But as power outages become more frequent and building flaws emerge, particularly on the lower floors, the regimented social strata begins to crumble and the building becomes a battlefield in a literal class war.

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After seven unsuccessful suicide attempts, William (Aneurin Barnard) outsources the task to Leslie (Tom Wilkinson), an aging hitman on the brink of retirement. But with the contract signed and death assured within a week (or his money back) William finally discovers a reason to live. However, as far as Leslie is concerned, the contract is binding…

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A young girl had her voice magically taken away so that she would never hurt people with it, but her outlook changes when she encounters music and friendship.

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